Lynn Herman Syms’ high school girlfriends remember when their loyal Adelphis sorority sister moved in her sophomore year to Manhattan Beach and still crossed the Sheepshead Bay pedestrian bridge every morning to catch a bus to Madison. “We were six inseparable friends,” Lynn said in an interview with the Alumni News in the paneled sitting room of her Upper East Side apartment. She recalled their pact to be neighbors when they grew up and “make a tunnel through our attached houses.”
The former Adelphis president admits that her early life was “lived in a bell jar from my father’s house to my husband’s house.” Homemaking, however, was not her forte. “If I walk into the kitchen, I bum myself,” she quipped. But as an artist, a businesswoman, and a philanthropist, Lynn has always been ready for a challenge. An art major at Syracuse University and NYU, Lynn married young and raised two children. At age 40, she said, “I decided to strike out.” Moving to Manhattan, she began work as an interior designer and started a firm with a partner in Brooklyn Heights. Soon she was designing guest rooms and public spaces in Leona and Harry Helmsley’s hotels. Despite a falling out with the Helmsleys, the experience “led to a lot of growth,” Lynn said. “None of that was wasted.” She went on to develop a specialty in geriatric facilities, “creating spaces [for Alzheimer’s patients] that might speak to memory.”
Then, in her fifties, when the emotional toll of her work became too great, Lynn made an about-face career change and became a sculptor. “From the first day,” she said, “I loved it with such a passion.” She set up a studio in the National Academy Museum and School, a 190-year-old institution on E. 89 St. Lynn sculpts in clay and, using the lost wax method, casts her pieces in bronze.
The figures displayed throughout her apartment range from rough and elongated forms to more classical representations of the human body. Emotions are laid bare and run the gamut from joy to heartache. Although Lynn sculpts using nude models, she likes to then drape her figures, adding detailed folds for greater interest. Many of her pieces have personal origins. “Ode to Ms. Leslie” — a woman proudly thrusting forth her newly rounded belly — was inspired by Lynn’s daughter’s first pregnancy. “My New Life” is a cluster of seven babies that Lynn created when her first two grandchildren were born a few months apart. Lynn’s work, represented by Madison Avenue galleries, can be found in the permanent collection of the Yeshiva University Museum and in private collections.
But sculpting was only one of Lynn’s activities. In 1984 she married clothing retailer and philanthropist Sy Syms, setting her on her own course of philanthropic work as well as on joint ventures with her husband. Sy, a Midwood HS graduate for whom Yeshiva University’s School of Business was named, was also chairman of Israel Bonds. The two traveled frequently to Israel and socialized in Israeli cultural and political circles. In the mid ’80s, violinist and conductor Itzhak Perlman asked Lynn to join the Israeli Philharmonic Orchestra’s international board, which promotes and supports the orchestra. In 2001, when board president Herman Sandler was killed in the 9/11 attack, Lynn took over his position and served a four-year term. She is still an active member there and on boards of other charitable foundations. “I was so lucky,” Lynn said, reminiscing about her late husband. “He was so down to earth.” In the late ’90s, Lynn convinced Sy, who had once been a radio sportscaster, to join her in hosting a weekly radio show focused on interesting New Yorkers and city life. Waxing nostalgic about the “at-home” morning talk shows she listened to years earlier, Lynn said, “The second the microphone went on I felt like I knew how to do it.” The show lasted three years, and among the guests were Mayor Ed Koch, Assistant Secretary of State Elliott Abrams, and TV-news anchor Jim Jensen.
Sy Syms passed away in 2009 and since then Lynn has plunged into new waters. Partnering with World Pulse, an online global community of women empowering each other to create grassroots change, she has funded the $20,000 Lynn Syms Prize, the first one awarded in 2014. The winner was a Pakistani woman, Zephania, whose school in rural Punjab is educating hundreds of girls in a society where 13-year-olds are forced into marriage and honor killings are not unusual. Strong women and raising women’s consciousness are “the theme of my life,” Lynn said. “It feels good if you can help one person.”
Always engaged in what she calls her “continuum,” Lynn will soon be returning to the National Academy to take up drawing and cartooning. Her website is lynnsyms.com.